Hardcover, 437 pages

English language

Published March 24, 2020 by Orbit.

ISBN:
978-0-316-50984-8
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OCLC Number:
1121441745
ISFDB ID:
2681329

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4 stars (8 reviews)

In Manhattan, a young grad student gets off the train and realizes he doesn't remember who he is, where he's from, or even his own name. But he can sense the beating heart of the city, see its history, and feel its power.

In the Bronx, a Lenape gallery director discovers strange graffiti scattered throughout the city, so beautiful and powerful it's as if the paint is literally calling to her.

In Brooklyn, a politician and mother finds she can hear the songs of her city, pulsing to the beat of her Louboutin heels.

And they're not the only ones.

4 editions

And What a City It Is!

5 stars

“The City We Became,” by N.K. Jemisin, reminds me a lot of Neil Gaiman’s works. Not necessarily in prose, but certainly in worldbuilding. The concept of Avatars of cities, the power of stories and belief, and using old myths to spin modern fantasies, all certainly do.

The characters are all very well done, with each having a very distinct personality and perspective, and by extension give an interesting view of New York according to the author - a place I have admittedly never been (drive-through doesn’t count, I think). They also bounce off each other in interesting, dramatic, sometimes charming and sometimes tragic ways. I find the dynamics fascinating when the Characters ARE the setting.

That was aided in how I read this book - the audiobook version - which was an absolutely fantastic experience. The reader was able to give each character a very distinct voice, mannerism, and accent, …

Wild ride

4 stars

This story will make such a great movie one day. Clearly cinematographic writing takes the reader through a fast-paced urban adventure. The main characters, city avatars, have been transformed into boroughs of New York. In other words, the City comes alive through the lives and bodies of Manny (Manhattan), Bronca (The Bronx), Brooklyn (Brooklyn), Padmini (Queens) and the primary avatar. They have to work together to defend the city against the invasion of a foreign being aiming to halt the growth and spirit of the city, and consequently cause conflict, pain and suffering. Aislyn (Staten Island), will find herself at a crossroads and have to choose which side she's on.

New York is the main character of this book, which is a complete whilrwind tour of a city under attack, but fighting back. Special appearances by avatars Sao Paulo and Hong Kong bring even more diversity to this urban mix …

My review of 'The City We Became'

5 stars

Oh my. This book is so good! It's such a phenomenal subversion of Lovecraft's notion of horror while also being an excellent piece of Cosmic Horror that people have come to thoughouly associate with Lovecraft. The characters are vibrant and compelling, and so delightfully diverse! They are all very different people and it matters in the story, their diversity is a reflection of the diversity that is essential to the plot. This might be a go to example for me to point people to what meaningful diversity in characters looks like.

And the worldbuilding! I love it so much! What an incredibly cool and thought provoking was to construct a fictional reality. And I'm not entirely sure that it's all that fictional. The worldbuilding is born directly out of real problems and real struggles of communities. The birth of a city both invokes and evokes ideas that I'll be contemplating …

Putting "urban" in "urban fantasy"

4 stars

The City We Became is urban fantasy, in that it features a bunch of magical stuff happening in a modern day city. It's also urban fantasy in that it is about cities. People are cities and cities are people, and not in a metaphorical way, but in a more supernatural and literal way.

N. K. Jemisin manages to channel the spirit of New York City (where the novel's action focuses) through the novel's characters, without resorting to tired and popular stereotypes of the city and its people. While in a way the book is an ode to New York, it also doesn't shy away from some of its more dark and shameful aspects. All of this is wrapped up in writing that manages to be evocative and sufficiency casual to flow well. The book paints an engaging picture of both the real New York, and its fictional, supernatural, embodied New …