The City We Became

“The City We Became,” by N.K. Jemisin, reminds me a lot of Neil Gaiman’s works. Not necessarily in prose, but certainly in worldbuilding. The concept of Avatars of cities, the power of stories and belief, and using old myths to spin modern fantasies, all certainly do.

The characters are all very well done, with each having a very distinct personality and perspective, and by extension give an interesting view of New York according to the author - a place I have admittedly never been (drive-through doesn’t count, I think). They also bounce off each other in interesting, dramatic, sometimes charming and sometimes tragic ways. I find the dynamics fascinating when the Characters ARE the setting.

That was aided in how I read this book - the audiobook version - which was an absolutely fantastic experience. The reader was able to give each character a very distinct voice, mannerism, and accent, and the occasional and subtle use of music or sound effects were also perfect. Never so obvious as to take me out of the story - it didn’t suddenly turn into a radio play - but rather just enough to emphasize the effect of the scene.

The plot is relatively straightforward, especially if you’re familiar with common sci-fi/fantasy concepts like multiverses, but it lays the groundwork for a thrilling and tense game of cat and mouse that kept me hooked the whole way through.

Also the messaging about misogyny, white supremacy, and the danger (and sometimes vulnerability) of those who embrace alienation and bigotry, are all on point, if perhaps a touch on the nose. I love how it also took Lovecraftian motifs and themes and turned them around to condemn the very ideology of people like Lovecraft. I love seeing that compelling mythos appropriated for good.

There isn’t any romance in the book, but it was still great to see queer representation, as well as BIPOC representation.

All together, I simply loved the book, and I highly recommend it. I can’t wait to start up the sequel!

This story will make such a great movie one day. Clearly cinematographic writing takes the reader through a fast-paced urban adventure. The main characters, city avatars, have been transformed into boroughs of New York. In other words, the City comes alive through the lives and bodies of Manny (Manhattan), Bronca (The Bronx), Brooklyn (Brooklyn), Padmini (Queens) and the primary avatar. They have to work together to defend the city against the invasion of a foreign being aiming to halt the growth and spirit of the city, and consequently cause conflict, pain and suffering. Aislyn (Staten Island), will find herself at a crossroads and have to choose which side she's on.

New York is the main character of this book, which is a complete whilrwind tour of a city under attack, but fighting back. Special appearances by avatars Sao Paulo and Hong Kong bring even more diversity to this urban mix of people, cultures and space. A wonderful urban fantasy to read!

Oh my. This book is so good! It's such a phenomenal subversion of Lovecraft's notion of horror while also being an excellent piece of Cosmic Horror that people have come to thoughouly associate with Lovecraft. The characters are vibrant and compelling, and so delightfully diverse! They are all very different people and it matters in the story, their diversity is a reflection of the diversity that is essential to the plot. This might be a go to example for me to point people to what meaningful diversity in characters looks like.

And the worldbuilding! I love it so much! What an incredibly cool and thought provoking was to construct a fictional reality. And I'm not entirely sure that it's all that fictional. The worldbuilding is born directly out of real problems and real struggles of communities. The birth of a city both invokes and evokes ideas that I'll be contemplating for awhile: What does it mean to belong to a place? What does it mean to be of it?

The City We Became is urban fantasy, in that it features a bunch of magical stuff happening in a modern day city. It's also urban fantasy in that it is about cities. People are cities and cities are people, and not in a metaphorical way, but in a more supernatural and literal way.

N. K. Jemisin manages to channel the spirit of New York City (where the novel's action focuses) through the novel's characters, without resorting to tired and popular stereotypes of the city and its people. While in a way the book is an ode to New York, it also doesn't shy away from some of its more dark and shameful aspects. All of this is wrapped up in writing that manages to be evocative and sufficiency casual to flow well. The book paints an engaging picture of both the real New York, and its fictional, supernatural, embodied New York.

The one complaint to level against the book is against the arc of the plot. The novel feels more like a series of superhero fights, leading up t a bigger superhero fight, with some twists along the way, and a somewhat rushed conclusion. This can, however, probably be chalked up to it being only the first entry in a trilogy, and this being what the genre is.