Witch King

Witch King features a lot of worldbuilding. Its fantasy world is inhabited by different people with different cultures, and people who can different sorts of magic in different sorts of way, and Martha Wells manages to weave details about this world into the story in a way that makes the world feel alive (except for all the dead people).

The setting is also one with a history of dramatic upheavals and epic struggles, though the story is not set during those things. The main narrative is set years after major historical events, whose effects are still felt by the present-day characters. We also get flashbacks of events around the major historical events. In this way, the book tells a history by telling of its aftermath, and the events that preceded it. This is something that could be executed poorly, leaving a disappointing gap, but it actually works pretty well in Witch King.

We also do get a bunch of likeable characters doing an adventure together, which is something Martha Wells does well, and she does not disappoint this time.

This one is difficult to rate for me. I only had 7 days to read it but it's a book that needs to be savoured. You should take your time with it. So I probably didn't get the full experience. The narrative starts right in the middle of a story that has a long backstory some of which the readers are going to learn during the course of the book. There are also quotes from historical or anthropoligical works from that world at the beginning of chapters. A lot of thought went into the world-building. The chapters switch between the present and the past. While I do like the sense of layers of history that certain places and relationships have due to that I also feel that this narrative structure didn't quite work. A couple of times the timing is such that the emotional impact of places and events is lessened because we don't know of it, yet. I also wish we could have spent a bit more time with the grassland tribes in the beginning.

I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!

The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.

And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.

So: great world-building. Fun characters and relationships. A complex, political story with very "human" characters. It drops you in to a rushing river and expects you to swim, which I love.

That said, I feel like the characters besides Kai, the main POV, are a little flat. There's a chance that they feel that way because of how much Kai is struggling with their own inner demons (heh heh); maybe Kai's inward focus makes them somewhat blind to others' personalities and the narrative reflects that?

I initially was a little intimidated when I opened the book and was greeted with a list of names and titles from a world I didn't understand, but the characters are all described as they're introduced, such that I didn't ever need to page back to the list, so I worried for nothing. Martha Wells does an incredible job of fitting a lot of world building into a small space, doling out lore as necessary in a way that still sparks the imagination. And what a world it is! Layers of culture, powers, politics, and history unfold in two separate timelines with a scope that feels like a big adventure. Kai is a fun mix of snarky and competent, with other characters distinct, but not given quite as much attention. Overall, characters and their arcs to take a bit of a backseat to the plot and its mysteries. While this seems like it's probably a standalone book, I honestly wouldn't mind seeing these characters do more with a little more breathing room.

Thanks to NetGalley and Tor Publishing Group for a review copy. All thoughts in this review are my own!

This book is the tale of Kai (a demon prince) who had been trapped with his witch friend Ziede, working to figure out who had trapped them and why, while also trying to rescue their missing friend Tahren. There's also a perspective of Kai from the past being trapped, freed, and working to fight against the Hierarchs.

I have some mixed feelings about this book. It certainly opens up very strongly and the characters, plot, and world grabbed me immediately. I am a sucker for a story with dual perspective, telling a story in the past as well as the present that echo each other. The worldbuilding ideas felt super fresh and I loved learning about the world, the politics, and the characters. However, I was disappointed by parts of the ending, felt overwhelmed by a lot of world detail for quite some time, and wished that there was a bit more character detail for anybody but Kai.

This book drops you squarely in the middle of worldbuilding detail (almost as much as Ninefox Gambit). Even by the end, I'm still not sure that I know what differentiates various magic types, what the Hierarchs are, or the different flavors of Immortal Blessed. I don't know that I need to know all of these things either, but it felt like I was left with a lot of holes in my knowledge.

Because of that, I hope that there is more than just this single book, because so much of it leaves me wanting. There's whole swaths of history that are not described in the past (e.g. Kai's grandmother) as well as between the past and present sections of the narrative. On top of that, it felt like there were some characters like Tenes and Sanja who didn't really get a lot of space on the page. It almost felt like the cast was too broad and so characters didn't get enough room to develop.

I certainly dig the gender stuff going on in the background. Kai is a demon who inhabits multiple bodies over time. There's also some snooty "oh these Arike folks have some binary gender hangups" in an epigraph before some of the chapters. There's some comments about mercenaries (normally women) being forced to present in ways that they normally wouldn't. This is all kind of in the background of the story, but mostly I just want to hear more about demon gender, thank you.

I think my biggest disappointment with the book is the method in which some of the plot lines are wrapped up. I'll leave those thoughts in a spoilerly comment separately: books.theunseen.city/user/picklish/comment/81523#anchor-81523

Despite some negative feelings above, overall I really enjoyed this and it makes me want to go back and reread the Raksura books again.