Earth is failing. In a desperate bid to escape, the spaceship Enkidu and its captain, Heorest Holt, carry its precious human cargo to a potential new Eden. Generations later, this fragile colony has managed to survive, eking out a hardy existence. Yet life is tough, and much technological knowledge has been lost.
Then Liff, Holt’s granddaughter, hears whispers that the strangers in town aren’t from neighbouring farmland. That they possess unparalleled technology – and that they've arrived from another world. But not all questions are so easily answered, and their price may be the colony itself.
Children of Memory by Arthur C. Clarke Award-winning author Adrian Tchaikovsky is a far-reaching space opera spanning generations, species and galaxies.
Although not bad sci-fi its connection to the previous 2 books is rather loose. The third book takes an entirely different direction, some parts resembling westerns depicting the early pioneers of the time. The weakest of the three books, 3/5 for me.
This is the third -- and I believe final -- installment in Adrian Tchaikovsky's acclaimed Children of Time series.
The action once again moves on to another alien world but with many of the same characters and species from the earlier two books. And of course we are introduced to additional new intelligences, as you'd expect from the earlier stories' trajectories.
However it took me well over half the book to really get into it. The multiple plots seemed not only hard to keep track of, but self-contradictory at times as well. Eventually everything does fall into place and there are enough plot twists to keep you intrigued right to the end, but there were definitely times when I had to force myself to keep reading as the frustration was starting to get too much.
I'm glad I kept going, though. In the last third of the book many of …
This is the third -- and I believe final -- installment in Adrian Tchaikovsky's acclaimed Children of Time series.
The action once again moves on to another alien world but with many of the same characters and species from the earlier two books. And of course we are introduced to additional new intelligences, as you'd expect from the earlier stories' trajectories.
However it took me well over half the book to really get into it. The multiple plots seemed not only hard to keep track of, but self-contradictory at times as well. Eventually everything does fall into place and there are enough plot twists to keep you intrigued right to the end, but there were definitely times when I had to force myself to keep reading as the frustration was starting to get too much.
I'm glad I kept going, though. In the last third of the book many of the earlier confusion gets resolved, and that's what's bumped it up from a three-star to a four-star review.
It is ultimately a good book in the end, although it's definitely more openly philosophical and introspective than the previous two. If you like Tchaikovsky's work and are prepared to stick with it, this is rewarding.
Children of Memory is the third (and final?) book in the Children of Time saga. I have very mixed feelings about this book (and also this series). If I had to sum up my feelings, the last 50 pages of this book are absolutely excellent but the middle ~200 pages drag on for quite some time. If I had to review the series as a whole, I am glad I read these three books personally, but my recommendation for others who hadn't read any would be to read the first book and stop there.
One thing I think this series does well is that each book has a very different vibe overall. Book one is very space opera / evolutionary theater, book two adds in a significant horror element, and book three feels more like a mystery (fairytale?) of strange contradictory events. I strongly agree with Tak, who described this …
Children of Memory is the third (and final?) book in the Children of Time saga. I have very mixed feelings about this book (and also this series). If I had to sum up my feelings, the last 50 pages of this book are absolutely excellent but the middle ~200 pages drag on for quite some time. If I had to review the series as a whole, I am glad I read these three books personally, but my recommendation for others who hadn't read any would be to read the first book and stop there.
One thing I think this series does well is that each book has a very different vibe overall. Book one is very space opera / evolutionary theater, book two adds in a significant horror element, and book three feels more like a mystery (fairytale?) of strange contradictory events. I strongly agree with Tak, who described this third book as Locked Tomb-esque.
The technological development arc in this series reminders me a little of Cixin Liu's Remembrance of Earth's Past series. By book three of each of these series, the technology level has just gone so far into post-human / galaxy teleporting / immortality / body uploads / consciousness-splitting developments that it almost feels disconnecting to me as a reader. What are the desires and needs of people who live like this even like? I think this book gets into some of what that might be, but in both of these series I found it harder to connect with characters as time went on.
Similar to the previous two books in this series, which each have their own featured uplifted animal, this book also brings in some extremely smart corvids. Other characters are not sure what to make of them and spend a lot of time trying to figure out if they are sentient or not. (The birds say they are absolutely not.) I found the birds Gothi and Gethli to be very endearing characters. I love love loved the small interstitial chapters where they are wittily talking to each other and making jokes. I felt like it nailed "birds are really interested in shiny new things and uninterested in everything else" angle as well as the "corvids are both extremely chatty and smart" one.
This book also adds a lot of good development for characters from book one and book two. I like that we get to see extra sides of Kern(s), as well as a significant perspective from a character who is Those-of-We trying to be a Human named Miranda that they knew specifically. They're coping with the tension of wanting to know everything, with being a terrible entity in the past that they're ashamed of, with various emotional traumas, and with the stress of pretending to be one thing when really they are many many things at once. I felt like the book two perspective on Those-of-We was necessarily limited and I was glad that book three has a chance to let them shine.
I feel like any discussion of the end of the book is going to be extremely full of major spoilers, so I will leave that in a follow-up comment. Suffice it to say that I felt like the ending to this book was as solid (if not more solid) than book one and really tied together everything that the book put out there in a satisfying way.
Content warning
plot arc metaspoilers maybe? also for Nona the Ninth
This one took me on a very Nona the Ninth-like journey, from "I am following the plot and know what is going on" to "I am no longer following the plot, what the hell is going on" to "Wow, I did not see that coming"
I am afraid I am going to have to be a little hard here and say this barely scraped 4 stars for me. The middle really dragged. I can't really explain why without going into spoilers (which I am not a fan of doing in reviews). I will say that there wasn't the same sense of progress that you got from the first two books. A sense of something new developing. The middle third is very focused on a (to all appearances) regressive setting, thus the sense of the new wasn't there for me for a good chunk of this read. The ideas are still top tier. The book started well and the ending was satisfying. Maybe it needed a tighter edit, maybe I was just not in the right place for this. Still, it is Tchaikovsky and my reservations could just be a me thing. It's still at least …
I am afraid I am going to have to be a little hard here and say this barely scraped 4 stars for me. The middle really dragged. I can't really explain why without going into spoilers (which I am not a fan of doing in reviews). I will say that there wasn't the same sense of progress that you got from the first two books. A sense of something new developing. The middle third is very focused on a (to all appearances) regressive setting, thus the sense of the new wasn't there for me for a good chunk of this read. The ideas are still top tier. The book started well and the ending was satisfying. Maybe it needed a tighter edit, maybe I was just not in the right place for this. Still, it is Tchaikovsky and my reservations could just be a me thing. It's still at least a 4 star for me so I can definitely recommend it. Especially if you enjoyed the first two in the series.
Wow. Outstanding! This book is vastly different than the other two. I was frustrated with most of it and was sure I would be rating it 2 stars, maybe 3, even though the writing style was amazing, but the last hundred pages blew my mind.
Take all these 5 stars, Adrian, and go buy something nice with 'em.