One snowy night Arthur Leander, a famous actor, has a heart attack onstage during a production of "King Lear." Jeevan Chaudhary, a paparazzo-turned-EMT, is in the audience and leaps to his aid. A child actress named Kirsten Raymonde watches in horror as Jeevan performs CPR, pumping Arthur's chest as the curtain drops, but Arthur is dead. That same night, as Jeevan walks home from the theater, a terrible flu begins to spread. Hospitals are flooded and Jeevan and his brother barricade themselves inside an apartment, watching out the window as cars clog the highways, gunshots ring out, and life disintegrates around them. Fifteen years later, Kirsten is an actress with the Traveling Symphony. Together, this small troupe moves between the settlements of an altered world, performing Shakespeare and music for scattered communities of survivors. Written on their caravan, and tattooed on Kirsten's arm is a line from Star Trek: "Because …
One snowy night Arthur Leander, a famous actor, has a heart attack onstage during a production of "King Lear." Jeevan Chaudhary, a paparazzo-turned-EMT, is in the audience and leaps to his aid. A child actress named Kirsten Raymonde watches in horror as Jeevan performs CPR, pumping Arthur's chest as the curtain drops, but Arthur is dead. That same night, as Jeevan walks home from the theater, a terrible flu begins to spread. Hospitals are flooded and Jeevan and his brother barricade themselves inside an apartment, watching out the window as cars clog the highways, gunshots ring out, and life disintegrates around them. Fifteen years later, Kirsten is an actress with the Traveling Symphony. Together, this small troupe moves between the settlements of an altered world, performing Shakespeare and music for scattered communities of survivors. Written on their caravan, and tattooed on Kirsten's arm is a line from Star Trek: "Because survival is insufficient." But when they arrive in St. Deborah by the Water, they encounter a violent prophet who digs graves for anyone who dares to leave.
In a future in which a pandemic has left few survivors, actress Kirsten Raymonde travels with a troupe performing Shakespeare and finds herself in a community run by a deranged prophet. The plot contains mild profanity and violence.
This was recommended to me and I went in knowing very little about it.
I found it to be a really gripping novel; hard to put down. I was really excited to see how the characters lives intersected and how they handled the trauma of the devastating pandemic.
The book tells the story of the characters at various stages of their lives ranging from many years before the pandemic, to around 20 years after. This gives a really interesting perspective on the characters, and keeps the pace of the book fast and interesting.
There was a lot in this I really enjoyed. Interesting characters and a fascinating set of situations, all very tightly plotted and woven together in a system that slowly became visible throughout the novel. The structure and style of it has a lot of similarities to The Passage - something the book slyly acknowledges at one point. However, I can only give this four and not five stars because the ending - or, more accurately, the climactic point of the narrative - feels too short and brief, almost perfunctory in the way it happens. When I was getting towards the end, I was thinking that I'd missed something in the blurb and this was just the first book of a pair or a series. There was enough going on and being built up I couldn't see how it could be resolved in that space - and I'm not sure it …
There was a lot in this I really enjoyed. Interesting characters and a fascinating set of situations, all very tightly plotted and woven together in a system that slowly became visible throughout the novel. The structure and style of it has a lot of similarities to The Passage - something the book slyly acknowledges at one point. However, I can only give this four and not five stars because the ending - or, more accurately, the climactic point of the narrative - feels too short and brief, almost perfunctory in the way it happens. When I was getting towards the end, I was thinking that I'd missed something in the blurb and this was just the first book of a pair or a series. There was enough going on and being built up I couldn't see how it could be resolved in that space - and I'm not sure it was, leaving me a bit empty when it finished.
I wasn't sure I wanted to read (listen to) a book with the premise "What if COVID19, but much much worse",. but I'm glad I did.
The best speculative fiction is often a vehicle for commentary on contemporary life, and this book definitely is that, both on big themes, and perhaps more interestingly on the quirks and foibles of life in the 21st century.
The characters are nicely drawn and interesting. In a strange feat, I am now a fan of a fictional comic book series that I have only heard someone describe.
There was enough suspense and plot to keep me interested, without indulging in an excess of action. There some slightly implausible coincidences, but they don't drive the plot, but serve more like decoration.
Listened to this on audiobook, which it was pretty good for. I wasn't expecting much and therefore it met my expectations. I liked the structure of weaving together all the different storylines, it was decently well written. After a while I started getting annoyed at how useless everyone was after their tech stopped functioning, it's not like ALL knowledge disappears and suddenly people are like "huh, wow, I simply cannot fathom HOW airplanes worked?" idk.